We are very happy and honoured to have international experts that will evaluate all submissions and award the best works and projects.
Dr. Leah Barclay – Leahbarclay.com
Dr. Leah Barclay is an Australian sound artist and researcher working at the intersection of art, science and technology. She specialises in acoustic ecology and spatial audio for immersive installations and augmented reality. Her work has been commissioned, performed and exhibited to wide acclaim internationally by organisations including Smithsonian Museum, UNESCO, Ear to the Earth, Al Gore’s Climate Reality and the IUCN. Her augmented reality sound installations have been presented around the world from Times Square in New York City to the Eiffel Tower in Paris. Leah is the president of the Australian Forum for Acoustic Ecology, the vice-president of the World Forum of Acoustic Ecology and serves on the board of a range of arts and environmental organisations.
Prof. Dr. Karlheinz Brandenburg – Fraunhofer Institute for Digital Media Technology IDM
Dr. Karlheinz Brandenburg has been a driving force behind some of today’s most innovative digital audio technology, notably the mp3 and MPEG audio standards. He is acclaimed for pioneering work in digital audio coding and psychoacoustics. His honors include the AES Silver Medal, the IEEE Masaru Ibuka Consumer Electronic Award, the German Future Award, which he shared with his colleagues and the Cross of the Order of Merit of the Federal Republic of Germany. Furthermore he is member in the Hall of Fame of the Consumer Electronics Association. In April 2014, Brandenburg was inducted as an innovator into the Internet Hall of Fame. He holds three honorary Ph.D. degrees. Dr. Brandenburg holds about 100 patents. He is a professor at the Institute for Media Technology at Technische Universität Ilmenau and director of the Fraunhofer Institute for Digital Media Technology IDMT in Ilmenau, Germany.
Eric Eitel – Music Pool Berlin
Eric Eitel is a curator of technology, art and cultural projects with an emphasis on the future of production. He is a board member of all2gethernow, a Berlin based culture think tank, and co-founder of Music Pool Berlin, a consulting platform for musicians and people working in the music business funded by the European Social Fund and Musicboard Berlin. Eric Eitel publishes articles for technology and music media, advises companies and organizations on content positioning and strategic communication, and tweets obsessively as @alias_eitel.
Fabian Frese – Kolle Rebbe GmbH
Fabian Frese began his advertising career as a copywriter at BBDO in Düsseldorf in 2001. Three years later he joined Jung von Matt where he became ECD in 2010, working for clients such as Mercedes-Benz, Nintendo, eBay and Vodafone. During his time at Jung von Matt, it was recognized as Germany’s “Agency of the year” and “Independent agency of the year” at the Cannes Festival. In 2013, Fabian took a “Digital Sabbatical”, where he founded start-ups and toured as an intern through various digital companies, which made him much poorer but a lot smarter. In 2014, he joined Kolle Rebbe in Hamburg as Managing Director and Partner, being responsible for clients like Netflix and the global Lufthansa account. Fabian has won an impressive number of national and international awards. Although, this may be due to the fact that he usually sat in the jury himself, for example several times at the Cannes Lions.
Prof. Dr. Klaus Genuit – HEAD acoustics GmbH
Klaus Genuit received his PhD in 1984. He developed a new, improved binaural measurement system for the advanced diagnosis and analysis of sound. He founded the company HEAD acoustics GmbH 1986 which is today a leading contributor in areas of binaural signal processing, sound design and analysis, virtual reality, and telecommunication measurements. Klaus Genuit has published more than 300 scientific papers. He is a member of various associations, such as AES, JAES, JSAE, SAE, DEGA and ASA where he was elected as a fellow in 2004. He participates in several working groups dealing with the standardization of measurement regulations and psychoacoustic parameters. He has participated in different EU-supported research all of them focusing on improving sound quality of vehicle exterior noise. More than 15 years ago he started his investigations with respect to soundscape. Klaus Genuit is honorary professor at the RWTH Aachen University. He has established the HEAD-Genuit-Foundation at 2008.
Daniel Haver – Native Instruments
Daniel Haver joined Native Instruments as Co-founder and CEO in 1997 after running a successful design business in Hamburg. As entrepreneur, innovator and visionary, he is the driving force behind all aspects of the business strategy from revenue growth and market penetration to product innovation, marketing and talent development. Daniel’s vision for Native Instruments has always been to transform music-making through the power and versatility of the computer and empower everyone to make music: from the casual hobbyist to the professional. Today, the company offers an unrivalled ecosystem of music hardware, software, and digital services and is the leading global player at the cutting edge of digital music creation.
Dr. Michael Haverkamp – Independent researcher, prior Ford Werke GmbH
Michael Haverkamp is an expert on perceived quality, sound design and multisensory harmonization within product development. From 1994 until his retirement in October 2018, he worked at Ford Werke GmbH Köln. Born 1958 in Gütersloh, Bundesrepublik Deutschland, he focussed on psychological and technical acoustics during his studies of electrical engineering at Ruhr-Universität Bochum. He has long-term experience in product development, acoustics engineering and multi-sensory design, and studies of cross-modal perception, the arts and music. He has had previous teaching assignments and been invited to lectures at various universities (e.g. the Köln International School of Design KISD). He has numerous publications and presentations on multisensory implications of sound: movement represented by sound, multisensory references of music, sound as element of multisensory design and branding, visualization of music and sound, contribution of touch sound on perception of surfaces, synaesthesia stimulated by sound.
Chris Hegstrom – Amazon
Chris has been creating audio for user experience and interactive media for over 20 years. After studying Music Synthesis at Berklee College of Music, he began his career by doing live sound for Blue Man Group. He then moved into web audio which led to over a decade of designing sound for video games, including franchises such as Lord of the Rings, Star Wars, Burnout, and God of War. In 2012, he made the transition into product sound with Microsoft HoloLens. At HoloLens, he designed UX sound, sonic branding, and 3D audio. With this experience, he started his own company, Symmetry Audio, in 2015. As Symmetry Audio, he’s designed VR audio for Unity, HBO, and Technicolor, as well as creating UX sound for Google. Lastly, in 2017, he joined Amazon as Senior UX Sound Designer, where he now works on the audio identity of Alexa, Fire TV, and Fire OS.
Rainer Hirt – audity
Studies in communication design at the University of Applied Science, Konstanz (Master of Arts). Co-Founder of audity, a company specialised in functional sounds for brands and products. Author and co-producer of the compendium »Audio Branding«. Rainer is supervising various research projects with several universities and has been, since 2008, juror of the international Red Dot Design Award. Lecturer for Audible Design at the HTWG Konstanz.
Dr. Daniel Hug – Zurich University of the Arts
Since the late nineties, Daniel Hug is exploring sound and interaction design through artistic installations, design works and research. He is teaching sound studies and sound design in Interaction and Game Design and is a member of the executive team of the new MA Sound Design at Zurich University of the Arts, Switzerland. Hug is also lecturer and researcher at the chair for music education at the University of Applied Sciences of Northwestern Switzerland, with a focus on innovation and interactive technology in sound and music education. Hug is visiting lecturer for interaction and game sound at various Universities in Switzerland, Austria and Finland and holds a doctorate from the University of the Arts and Industrial Design Linz. As founder of the sound design and consulting company “Hear Me Interact!” and as member of the steering committee of “Audio Mostly – Conference on Interaction with Sound”, his aim is to further contribute to the investigation and creation of the “sounds of tomorrow”.
Katariina Kari – Zalando Tech Hub
Katariina Kari (née Nyberg) is a research engineer at the Zalando Tech Hub in Helsinki. Katariina holds a Master in Science and Master in Music and is specialised in semantic web and guiding the art business to the digital age. At Zalando she is modelling the Fashion Knowledge Graph, a common vocabulary for fashion with which Zalando improves its customer experience. Katariina also consults art institutions to embrace the digital age in their business and see its opportunities.
Anna Kind – Radja
Anna Kind is the owner of Radja, founded in 2007. With a network of established composers and offbeat artists the agency collaborates with architects, designers, technology and marketing experts to develop sound concepts. Anna’s broad knowledge combined with a passion for spotting creative solutions has resulted in a steady flow of award-winning projects. In parallel with assignments in the Middle East, Asia and Europe, Anna also has a contract as a producer at one of Scandinavia’s premier opera houses. With her goal to create a broad knowledge of some of the music world’s finest talent has led her to not only working with leading brands such as Ikea, Sony, Absolut Vodka, H&M and Einride – but also with distinguished people in performing arts, all with the same assignment – to create musical experiences that are extraordinary.
Michela Magas – Music Tech Fest
Michela Magas is the first winner of European Woman Innovator to represent the Creative Industries and was appointed Innovation Luminary for Creative Innovation by the European Commission and Intel Labs Europe. She is the founder of Music Tech Fest, a global community platform of over 7000 creative innovators and scientific researchers. The platform places music at the centre of innovation in areas as diverse as neuroscience, forestry and microcomputing, and has been hosted worldwide by partners including Microsoft Research New England, Centre Pompidou in Paris and the London Symphony Orchestra at the Barbican in London. She has 25 years of experience in developing product futures for a series of international clients including Apple, Nike and Nokia, has worked on Peter Gabriel’s digital ventures and is co-author of a patent in music AI. She is advisor on Innovation to the European Commission and the G7 Leaders.
Steve Mayall – Music Ally
Steve Mayall is the co-founder and managing director of Music Ally, a music business knowledge and skills company. Music Ally launched in 2002 with a vision to help the global music business understand and work in partnership with new digital technologies and culture; and now focuses on providing the essential information and skills for the modern music industry.
Dr. Daniel Müllensiefen – Goldsmiths, University of London
Daniel Müllensiefen studied Systematic Musicology, Historic Musicology and Journalism at the universities of Hamburg (Germany) and Salamanca (Spain). He did his doctoral dissertation in Systematic Musicology on memory for melodies at the University of Hamburg. Since 2006 he has been working at Goldsmiths, University of London, now a Reader in Psychology and co-director of the Master’s course in Music Mind and Brain. In 2010 he was appointed as Scientist in Residence with the London-based advertising agency adam&eveDDB where he acted as a consultant and researcher, mainly on questions regarding the role of music in advertising and other commercial settings. In 2016 he received the prestigious Anneliese-Maier research prize from the Humboldt foundation and since then he is also affiliated with the Hochschule für Musik in Hannover.
Prof. Dr. Emma Rodero – Pompeu Fabra University
Emma Rodero is a researcher and professor in the Department of Communication at Pompeu Fabra University UPF (Spain), PhD. in Communication, PhD. in Psychology, Master in Pathology of Voice and Master in Psychology of Cognition. She obtained a Marie Curie fellowship (European Union) to conduct research in US about cognitive processing of radio commercials. She is author of more than ten books and fifty scientific papers about radio. Rodero usually teaches Public Speaking and Sound Advertising at UPF. She has over a decade of experience in the radio industry. She is currently a voice-over artist and has received awards for some radio dramas.
Samantha Sawyer – 7digital
Samantha Sawyer is the Global Head of Music Partnerships at 7digital, the B2B digital music and radio solutions company. Based in the company’s London headquarters, Samantha is responsible for rights acquisition and relationship management with label and publisher partners. Samantha works closely with 7digital’s commercial team and clients to advise on licensing process and strategy. Samantha is a lawyer by background and has two decades of experience in the music industry, having worked for major labels, BBC Worldwide, and with digital music/ music tech companies.
Claudia Schwarz – MusicTech Germany
Strategic Tech Advisor & Project Manager for the Creative Industries with a focus on Music Tech, Film Tech, Future of Synch & Licensing, Blockchain & Smart Contract Applications, Artificial Intelligence & Machine Learning, Ethics in Technology, New Realities & Immersive Content, Digital Media & Education Technology, including Conference and Festival Curation and Management. Co-founder and Vice President of MusicTech Germany, co-founder of Music Unchained, a series of events focussed on New Technologies for the Music Industry and co-founder of the Creative Tech Agency WickedWork, all based in Berlin. Furthermore, she is a Music Supervisor for TV and Film, a licensing expert and currently working on a global innovation license for music tech start-ups and new media applications. Selected as a participant in the EU-funded Keychange program, founder of the international Magna Initiative, Claudia is furthermore dedicated to the promotion of diversity and inclusivity within the Creative Industries, particularly of Women in Music & Technology.